Theme

Forbidden

When the world has already decided who may be touched.

• Taifa-period al-Andalus

  I Go My Way with Pride

  An Umayyad princess-poet in Córdoba took lovers in public and wrote in her own name. The affair with Ibn Zaydūn burned, then tore. She is not his muse. She is the other poet.

• Twelfth-century Paris

  Héloïse Will Not Be a Plot

  A teacher, a student, a secret marriage, then a mutilation. The Latin that survives is not a romance. It is her refusal to let desire be converted into a useful wound.

• Amherst, mid-nineteenth century

  A Hedge Away

  Emily Dickinson and Susan Huntington Gilbert lived a hedge apart. The letters and poems are intimate, queer-readable, and tangled in family. A modern book-title is not the name she gave her life.

• Halifax, 1832 to 1840

  Crypthand

  Anne Lister writes a life in code, and on Easter 1834 takes communion with Ann Walker as marriage. The diaries are private, sexual, economic, and sometimes controlling. She is not a series.

• Joseon, pansori tradition

  Chunhyang at Namwon

  Mongryong and Chunhyang pledge themselves. A magistrate later treats her body as something office can take. The pansori is a story of fidelity. It is also a story of coercion. Name the coercion.

• Heian Japan

  The Woman in the Deutzia Month

  Heian-kyō, 1003. A court woman writes of a prince in the third person, as if the life were already a tale. Waka go back and forth. The prince’s wife leaves. Moonlight is not the whole weather.